The Odyssey Tarot
Deck ~ Created by Jean Hutter
(Commentary by Arnell Ando)
With a Helpful Description of the Deck Making Process
Jean's Devil has dual roles, being both playful and frightening. A masked man at a masquerade leads a woman seductively away. This could allude to the more sensual, erotic, mischievous qualities of this card. While directly above this scene a hideous Demon is revealed behind the mask of a handsome gentleman, a cartoonish Devil behind him both confirms the demon's evil intentions while also bringing some welcomed comic relief. I would think the locked chain and key dangling close-by would indicate the choice of how this card plays out, being up to the seeker...
On a completely different note, the Nine of Pentacles is a serene portrayal of a woman so at peace with her surroundings that a dove comes to rest on her outstretched hand. This perfect depiction of the Nine of Pentacles is also a lady-like nod in the general direction of our own Pixie Smith (creator of the Waite/Smith deck, published in Victorian era England). Equally lovely is the Three of Cups, which shows three women setting off for an afternoon picnic or nature stroll. The mood is uplifting and the card is filled with greenery and growth. Even the fair ladies' dresses have colorful flowers. I feel these friends get inspired in new directions whilst in each other's company.
One of my favorite 'darker' cards in this deck is the Nine of Swords. The swords of this suit cut the card in half. A close-up shot of a terrorized woman gripped with fear dominates the upper half of the card, while below, a caricature of a man in his winter p.j.’s stares at his pillow which has a gaping red mouth full of sharp pointy teeth. Clearly he will have trouble sleeping this night as is revealed by the nightmarish aura of this Nine of Swords, but the edge is taking off this frightful scene in the style it is presented. It is both scary and touching at the same time.
This is one of the gifts of Jean's deck: she is able to convey emotion, and the impact of meaning in each card succinctly, while giving the reader room to interpret from their own perspective, mood or the surrounding cards in a reading. I don’t know if Jean Hutter plans to offer a book of descriptions at some point. While I would welcome the opportunity to study her accumulated experiences and interpretations, I find this deck very comfortable and easy to read.
I have many more favorite cards, but I'll just mention one more: the Eight of Pentacles. By the way, I tend to resist the energy of the Pentacles as depicted in most decks (and as played out in my life) but Jean's approach is a very harmonious and creative view of this suit, often showing artists, dancers and musicians practicing their crafts and parents passing on their innate gifts to their offspring such as in the Eight of Coins. I’m charmed by female and male artists enjoying the act of creating, while above a mother gently teaches her child how to play an ancient instrument.
Another thing I love about the Odyssey Tarot is that a
suit often follows a thread or theme over a succession of several cards, which
confirms my feelings that the artist thought deeply about the meanings of each
card and how they play out in real life.
Having created two 78-card Tarot decks of my own, I know how all consuming (in every sense of the term) it can be to give oneself up to such an arduous goal. Books, magazines, ads, greeting cards, photographs are scrutinized for any tarot merit or hidden ingredients. I've been guilty of murdering countless books for the sake of creating the card haunting my obsessed mind. Everything becomes viewed through the prism of the tarot and reality takes on a surreal collage quality. Dreams are often cluttered with the symbolic code of tarot as well. While I created my decks by hand with piles of old art books, stick glue and tiny razor sharp scissors, I wished I had an inkling of the knowledge and talent that Jean Hutter possesses as an accomplished graphic artist. I have since studied Photoshop in depth and am quite mesmerized by the freedom and endless possibility it makes available to us, but I look to Jean Hutter's deck as a perfectly orchestrated collage depicting various cultures, eras, and views that blend effortlessly together. It is a captivating rendering of the tarot.
An especially appealing quality of the Odyssey Tarot is the deck presentation itself. Jean has devised a technique of laminating the cards that makes it possible to trim them clean to the edges (without need for a protective 1/4" lamination border). They are sturdy, yet flexible, lightweight and easy to shuffle. This method would work well for anyone that wants to hand make a deck without illustrated backs (this would not work as well with my decks which have imagery on their backs that need to be precisely centered by hand but I think I might use Jean's technique for an upcoming deck.) Jean's method of deck making is not only beautiful but also a great time saver over my old-school, six step style. I have asked Jean Hutter to share her method for those of you interested and she has generously accepted. So without further ado, here is the artist herself explaining her process...
The Making of the
Odyssey Tarot Deck ~ by Jean Hutter
My next step was deciding what size I wanted my cards to be, did I want a border and what kind of lettering to use for the titles. I settled on a thin white border and white lettering on the bottom of the card – the cards would be the standard size. I started with the Majors, moved on to the Courts and finally the Minors – for the Minors I did all the Aces, Twos, etc. – I found this easier than doing the complete suit. As I said, I used Photoshop to create the actual cards. Once I completed the deck – I printed a master set on my inkjet printer. I also made two backup copies of the deck on CD – one I keep in my house, the other at a friend’s house.
Once I got laser copies made at a printer, my next step
was to assemble the deck. I did a lot of trial and error on this. I wanted a
deck that looked nice, had a good feel, was easy to shuffle and work with but
was also sturdy. I assemble one deck at a time and each deck has a different
backing. I run the laser copies through a Xyron machine that puts permanent
adhesive on the back - then I adhere the images to the desired backing.
Next I do the lamination - I use a Xerox hot laminator and use 3mil pouches that I get from Oregon Lamination (they have good prices). I got the laminator from Staples for $79 and I love it. What I like most about this laminator is that you can adjust the temperature – this makes a big difference when using different weights and types of lamination pouches.
Next I cut the cards to size –
since the backing is put on with permanent adhesive I can cut the cards right up
to the edge – leaving no laminated border. For the cutting I use a Fiskars
trimmer that I bought at a craft store. The last step is to round the corners –
I bought a nice sturdy corner punch from Oregon Lamination. It is quite a job to
do a deck but I think the finished product is well worth it. The deck has a card
look and feel, but I think it will hold up really well to a lot of
Hutter is an accomplished artist who has also created the incredible Odyssey
Tarot deck. Click here to view
more cards or request to be put on her waiting list. This handmade deck is not
currently available, however Jean plans to offer at a later time. It sold
briefly for $125.
Arnell Ando is the artist and author of Transformational Tarot and Hero's Journey Tarot. She also illustrated the Storyteller Tarot written by Diane Wilkes. She is a Certified Tarot Grand Master. She has a Master's degree in Psychology and is a certified Expressive Arts Therapist. You can view Arnell’s art, decks, miniature occult shops, and her latest joint Tarot art calendar created with Leslie Cochran on her website.
Images/Essay Copyright © 2004 Jean Hutter
Essay Copyright © 2004 Arnell Ando